PROGRAMME STRUCTURE
YEAR 1
The first provides an introduction to history of art in two courses Art history and its materials and techniques and Art history in action These courses allow you to study works by some of the best-known artists designers and architects of all time including non-western material and also introduce you to key issues in history of art

The two courses together will prepare you for further levels of study but either can be taken as an introduction to the discipline by students not intending to take it beyond Level 1

YEAR 2
Greater emphasis is placed on theoretical and contextual issues You will also be introduced to contrasted art-historical approaches and methods and to a range of backgrounds to the production and consumption of art

You will also study other subjects in 1 and 2 see Flexible degrees

YEARS 3 AND 4
If you progress to Honours 3 and 4 you will prepare a dissertation and study a wide range of special options concentrating on specific periods and artists and normally including non-western as well as western art There are core courses on methodological aspects of art history and research skills in art history You can apply to include a work placement as part of your Honours programme

Course details
Courses you will take as part of a History of Art programme may include

YEAR 1
HISTORY OF ART 1A
HISTORY OF ART 1B
YEAR 2
HISTORY OF ART 2A
HISTORY OF ART 2B
YEARS 3 AND 4 HONOURS
Not all courses listed will be available in each session

ALBRECHT DURER FROM GERMANY TO ITALY AND BACK AGAIN
ARCHITECTURE LANDSCAPE DESIGN AND THE REGENCY IMAGINATION
ART AND POLITICS IN WEIMAR GERMANY 1918-1933
ART IN AMERICA 1945-THE PRESENT
ARTISTS AND THE ART MARKET IN LATE 19TH CENTURY BRITAIN
EARLY IMPRESSIONISM
METHODOLOGY OF ART HISTORY
MONSTERS WOMEN AND JEWS MEDIEVAL ART AND IDENTITY
PORTFOLIO
THE DAWN OF MODERNISM IN CENTRAL EUROPE
WOMEN ART AND AUDIENCE 1830-1914
GEORGIAN LANDSCAPES
ARCHITECTURE IN MODERNITY 1900-1950
THE RENAISSANCE PALACE
METHODOLOGY OF ART HISTORY WITH PLACEMENT
APPROACHES TO CHINESE PAINTING HISTORY
LEONARDO MICHELANGELO RAPHAEL
ART TRADITION AND IDENTITY IN VENICE 1350-1797
FORGERIES ATTRIBUTIONS AND THE ART MARKET
HISTORICAL DRESS IN FILM & TV
DISCOURSES IN CULTURAL PROPERTY
ART IN EIGHTEENTH CENTURY BRITAIN
ARTISTIC TECHNIQUES OF POLYCHROME SCULPTURE IN GOLDEN AGE SPAIN THE QUEST FOR REALISM
JOURNEYS IN THE NETHERWORLD REPRESENTATIONS OF THE TEN KINGS OF HELL IN IMPERIAL CHINA
THE TROUBLE WITH STANLEY SPENCER
ART AND THE NATION IN NINETEENTH-CENTURY GERMANY
PRINTMAKING IN BRITAIN C1780-1914 CONTEXTS PROCESSES MARKETS
PUBLISHING THE AVANT-GARDE A HISTORY OF ARTISTS' BOOKS AND MAGAZINES FROM 1900 TO 1970
THE WORLDS OF HIERONYMUS BOSCH ENEMY PAINTER
SETTING THE SCENE
PAST FUTURES TIME AND TEMPORALITY IN CONTEMPORARY ART
MURILLO ART AND CULTURE IN SEVENTEENTH-CENTURY SPAIN
DISSERTATION HISTORY OF ART-JOINT HONS
DISSERTATION HISTORY OF ART-SINGLE HONS
DIGITAL ART AND PERFORMANCE 20 CREDITS
THE ART OF EXPLORATION
CURATING AT THE EDGE

Programme alteration or discontinuation
The University of Glasgow endeavours to run all programmes as advertised In exceptional circumstances however the University may withdraw or alter a programme For more information please see Student contract

You will need to book the accommodation after you have been accepted.

You can choose to live on campus or off campus in private accommodation.

• Make a booking online after you have been accepted (in this case please let us know your choice when you apply).
• Register when you arrive - its not possible to reserve a room before arriving. You can arrive a few days before and book it